March brings a dynamic moment for ARTSA, marked by two major exhibition initiatives and an exclusive artist interview. During the 61st Venice Biennale, ARTSA will transform Palazzo Nani Bernardo on the Grand Canal into a multi-artist exhibition platform, presenting three exhibitions that unfold across the historic interiors of the palazzo. Expanding this curatorial vision internationally, ARTSA will also present The Absurd and the Dreamlike at La Citadelle in Villefranche-sur-Mer from June to October 2026, a collaborative exhibition bringing together Arne Quinze and Joana Vasconcelos in dialogue between monumentality and symbolism. Alongside these exhibitions, ARTSA features an exclusive interview with artist Soraya Sharghi, who reflects on her Shadow series and the influence of Carl Jung’s concept of the shadow self, exploring the relationship between darkness, imagination, and artistic transformation.
March 2026
March 16, 2026
March brings a dynamic moment for ARTSA, marked by two major exhibition initiatives and an exclusive artist interview. During the 61st Venice Biennale, ARTSA will transform Palazzo Nani Bernardo on the Grand Canal into a multi-artist exhibition platform, presenting three exhibitions that unfold across the historic interiors of the palazzo. Expanding this curatorial vision internationally, ARTSA will also present The Absurd and the Dreamlike at La Citadelle in Villefranche-sur-Mer from June to October 2026, a collaborative exhibition bringing together Arne Quinze and Joana Vasconcelos in dialogue between monumentality and symbolism. Alongside these exhibitions, ARTSA features an exclusive interview with artist Soraya Sharghi, who reflects on her Shadow series and the influence of Carl Jung’s concept of the shadow self, exploring the relationship between darkness, imagination, and artistic transformation.